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Por encararmos projetos como desafios intelectuais, do ponto de vista da forma e programa, trabalhamos com diversos temáticas de arquitetura e escalas, de edifício institucional de grande porte até <a href="//www.alta-arq.site/?Projects/Residential/2007_ATHIS Sanitary Unit/pt" target="_blank" class="text-blue-400"> unidade sanitária com menos de cinco metros quadrados</a>; de <a href="//www.alta-arq.site/?Projects/Landscape/1904_Morro da Manteiga/pt" target="_blank" class="text-blue-400"> parque urbano</a> até <a href="//www.alta-arq.site/?Projects/Interiors/1603_Architects Lounge CAU RS/pt" target="_blank" class="text-blue-400"> espaços internos de atendimento</a>.<br><br> Abordamos novos projetos de forma experimental, buscando soluções singulares e calcadas nas especificidades do problema posto à luz do nosso alcance do conhecimento disciplinar acumulado. Desenvolvemos projetos arquitetônicos em todas as suas etapas, da concepção à execução.<br><br> Gabriel Johansson Azeredo, fundador<br> arquiteto e urbanista UFRGS/2011, mestre PROPAR/UFRGS 2014<br> professor no curso de arquitetura e urbanismo na Universidade La Salle desde 2017<br><br> Ruti Luiza Conrad<br> arquiteta e urbanista UFRGS/2018, mestranda PROPAR UFRGS/2022<br><br> Gabriel Waquil<br> arquiteto e urbanista UFRGS/2016, administração UFRGS<br><br> Mariana Lacerda<br> estagiária de arquitetura<br><br> João Pedro Palma<br> estagiário de arquitetura<br><br> Colaboradores passados:<br> Pedro Leggerini, Henrique Grillo, Henrique Clezar, Ândrio Vicari, Natália Pires, Bruno Dupon, Lucas Kirchner, Luísa Kogler, Victor Galisteo.<br><br> Premiações, eventos e publicações:<br><br> Vencedor - Concurso Unidade Sanitária ATHIS<br> Menção Honrosa - Concurso Espaço do Arquiteto CAU-RS<br> Menção Honrosa - Concurso Câmara Municipal de Porto Alegre<br> Painelista Congresso Brasileiro de Arquitetos 2021 – proposta para o concurso DOMRF+STRELKA<br> Divisare ideas for houses, Divisare ideas for single family houses - Casa da Lagoa da Serra<br> Designboom – Centro de Reabilitação Física IPA<br> 2º Guia IAB Agenda 2030 - Unidade Sanitária ATHIS<br><br><br><br> Web development: Guilherme Kruger Dalcin ',68),ka=[Ta];function ya(e,a,t,i,n,r){return Object(o["k"])(),Object(o["e"])("div",{class:Object(o["j"])({"text-white w-1/2 text-left text-xs pl-4 pt-14 pr-4":t.dark_mode&&!t.is_mobile,"text-black w-1/2 text-left text-xs pl-4 pt-14 pr-4":!t.dark_mode&&!t.is_mobile,"text-white text-left text-xs pl-2.5 pt-6 pr-4 pb-4":t.dark_mode&&t.is_mobile,"text-black text-left text-xs pl-2.5 pt-6 pr-4 pb-4":!t.dark_mode&&t.is_mobile})},ka,2)}var Ha={props:{dark_mode:{type:Boolean,required:!0},is_mobile:{type:Boolean,required:!0}}};Ha.render=ya;var za=Ha,Ua=Object(o["h"])(" Rua Cabral, 1403"),Ba=Object(o["f"])("br",null,null,-1),Ga=Object(o["h"])(" 90.440-090"),qa=Object(o["f"])("br",null,null,-1),Fa=Object(o["h"])(" Porto Alegre/RS, Brasil"),Na=Object(o["f"])("br",null,null,-1),Va=Object(o["h"])(" alta@alta.arq.br"),Ka=Object(o["f"])("br",null,null,-1),Xa=Object(o["f"])("a",{href:"https://wa.me/5551992614282",target:"_blank",class:"text-blue-500"},[Object(o["f"])("u",null,"WhatsApp")],-1),Qa=Object(o["f"])("br",null,null,-1),Wa=[Ua,Ba,Ga,qa,Fa,Na,Va,Ka,Xa,Qa];function Ja(e,a,t,i,n,r){var s=Object(o["m"])("SocialMediaIcons");return Object(o["k"])(),Object(o["e"])("div",null,[Object(o["f"])("div",{class:Object(o["j"])({"text-white w-1/2 text-left text-xs pl-4 pt-14 pr-4":t.dark_mode&&!t.is_mobile,"text-black w-1/2 text-left text-xs pl-4 pt-14 pr-4":!t.dark_mode&&!t.is_mobile,"text-white w-1/2 text-left text-xs pl-2.5 pt-6 pr-4":t.dark_mode&&t.is_mobile,"text-black w-1/2 text-left text-xs pl-2.5 pt-6 pr-4":!t.dark_mode&&t.is_mobile})},Wa,2),Object(o["i"])(s,{dark_mode:t.dark_mode,is_mobile:t.is_mobile},null,8,["dark_mode","is_mobile"])])}var $a={components:{SocialMediaIcons:Da},props:{dark_mode:{type:Boolean,required:!0},is_mobile:{type:Boolean,required:!0}}};$a.render=Ja;var Za=$a,Ya={components:{ViewportItem:Ke,ImagesPage:ra,SocialMediaIcons:Da,Profile:za,Contact:Za},props:{dark_mode:{type:Boolean,required:!0},language:{type:String,required:!0},selected_button:{type:String,required:!0},file_tree:{type:Object,required:!0},memorial_files:{type:Array,required:!1},technical_sheets:{type:Array,required:!1}},computed:{memorial_en:{get:function(){return"undefined"!==this.memorial_files?this.memorial_files[0].split("\n"):""}},memorial_pt:{get:function(){return"undefined"!==this.memorial_files?this.memorial_files[1].split("\n"):""}},technical_en:{get:function(){return"undefined"!==this.technical_sheets?this.technical_sheets[0].split("\n"):""}},technical_pt:{get:function(){return"undefined"!==this.technical_sheets?this.technical_sheets[1].split("\n"):""}}},data:function(){return{index:0,folders_pages:["Server","Practice","Projects","Commercial","Institutional","Interiors","Landscape","Mixed Use","Residential"],text_pages:["2104_DNA beer","1401_EXPO 2015 Brazilian Pavilion","1502_Porto Alegre City Council","1601_Campinas Environment Department","1603_CAUBR IABDF Headquarters","1803_EXPO 2020 Brazilian Pavilion","1804_Kiss Nightclub Memorial","1902_Lacerda House Museum","1603_Architects Lounge CAU RS","1904_Morro da Manteiga","1301_Lagos de Nova Ipanema House","1502_Lagoa da Serra House","2007_ATHIS Sanitary Unit","2101_Videira House","1804_TERMAS","1808_DOMRF + STRELKA"],images_pages:["2104_Images","1401_Images","1502_Images","1601_Images","1803_Images","1804_Images","1904_Images","1902_Images","1603_ Images","1804_ Images","1808_Images","1301_Images","1502_ Images","2007_Images","2101_Images"],drawings_pages:["2104_Drawings","1401_Drawings","1502_Drawings","1601_Drawings","1603_Drawings","1803_Drawings","1804_Drawings","1902_Drawings","1904_Drawings","1603_ Drawings","1804_ Drawings","1808_Drawings","1301_Drawings","1502_ Drawings","2007_Drawings","2101_Drawings"],image_subtitles:{"1804_ Images":["384 unidades de apartamentos do hotel são distribuídas em 15 edificações. 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de Arquitetura"),pt=[st,ct,dt];function lt(e,a,t,i,n,r){var s=Object(o["m"])("ToggleButton");return Object(o["k"])(),Object(o["e"])("div",{class:Object(o["j"])(["flex bottom-16 h-12 w-full border z-10 space-x-3",t.dark_mode?"bg-black border-white":"bg-white border-black"])},[Object(o["i"])(s,{item_labels:["Pt","En"],status:"eng"===t.language,dark_mode:t.dark_mode,onToggle:a[0]||(a[0]=function(a){return e.$emit("toggle_language")})},null,8,["status","dark_mode"]),Object(o["i"])(s,{item_labels:["Wt","Blk"],status:t.dark_mode,dark_mode:t.dark_mode,onToggle:a[1]||(a[1]=function(a){return e.$emit("toggle_dark_mode")})},null,8,["status","dark_mode"]),Object(o["f"])("div",{class:Object(o["j"])(["flex-grow text-xxs text-right pr-1 pt-3.5 text-black",t.dark_mode?"text-white":"text-black"])},["eng"===t.language?(Object(o["k"])(),Object(o["e"])("span",at,nt)):"port"===t.language?(Object(o["k"])(),Object(o["e"])("span",rt,pt)):Object(o["d"])("",!0)],2)],2)}var gt={class:"flex-col w-10 mt-1 ml-2"},mt={class:"flex-grow text-right"};function ut(e,a,t,i,n,r){return Object(o["k"])(),Object(o["e"])("div",gt,[Object(o["f"])("div",{class:Object(o["j"])(["flex text-xs",t.dark_mode?"text-white":"text-black"])},[Object(o["f"])("div",null,Object(o["n"])(t.item_labels[0]),1),Object(o["f"])("div",mt,Object(o["n"])(t.item_labels[1]),1)],2),Object(o["f"])("button",{class:"items-center bg-gray-300 w-10 h-5",onClick:a[0]||(a[0]=function(a){return e.$emit("toggle")})},[Object(o["f"])("div",{class:Object(o["j"])(["h-4 w-2.5 bg-gray-600 transition-all duration-300",t.status?"ml-7":"ml-0.5"])},null,2)])])}var _t={name:"ToggleButton",props:{item_labels:{type:Array,required:!0},status:{type:Boolean,required:!0},dark_mode:{type:Boolean,required:!0}}};_t.render=ut;var bt=_t,ft={components:{ToggleButton:bt},props:{dark_mode:{type:Boolean,required:!0},language:{type:String,required:!0}}};ft.render=lt;var jt=ft,ht="The project of the house for the Lagoas de Nova Ipanema condominium is based on the decision to concentrate the main spaces in the central strip, placing the secondary areas next to the site limits. The social area receives plenty of natural light due to the ground floor transparency and integrates itself to the patio. The projection of the main volume covers the arrival of the residente on the main facade.",At="A casa para o condomínio Lagoas de Nova Ipanema parte da decisão de concentrar os ambientes principais faixa central, acomodando as áreas auxiliares junto às divisas do lote. A área social goza de muita luz natural em função da transparência do térreo e integra-se com o pátio. A projeção do volume principal cobre a chegada do morador na fachada principal.",St="status\r\nstudy.\r\ndate\r\n2013\r\nlocation\r\nPorto Alegre, RS. Brazil.\r\nconstruction area\r\n144 m²\r\nclient\r\nprivate\r\narchitecture\r\nGabriel Johansson Azeredo\r\nimages\r\nscopeomedia",vt="status\r\nestudo.\r\ndata\r\n2013\r\nlocalização\r\nPorto Alegre, RS. Brasil.\r\nárea construída\r\n144 m²\r\ncliente\r\nprivado\r\narquitetura\r\nGabriel Johansson Azeredo\r\nimagens\r\nscopeomedia",Ot="The Pavilion of Brazil at Expo 2015 was conceived to be both an exciting exhibition tour and a building capable of transmitting the image of a strong, confident and inviting country in the first contact with the visitor.\r\nThe project foresees clear accesses both through Decumanus and the side roads, and brings the visitors to an access square - which kindly expands the square provided for by the EXPO 2015 master plan - where the building is open to visitors, and attracts them to know Brazil and its solutions to feed the world with quality and technology\r\n",Mt="O Pavilhão do Brasil na Expo 2015 foi concebido para ser ao mesmo tempo um percurso expositivo instigante e um edifício capaz de transmitir a imagem de um país forte, confiante e convidativo logo no primeiro contato com o visitante.\r\nO projeto prevê acessos claros tanto pela Decumanus como pelas vias laterais, levando o público a uma praça de acesso - que gentilmente amplia a praça prevista pelo plano diretor da EXPO 2015 - onde o edifício se apresenta de peito aberto aos visitantes, atraindo-os a conhecer o Brasil e suas soluções para alimentar o mundo com qualidade e tecnologia.\r\n",It="",Et="",xt="The House in southern Santa Catarina, Brazil, is designed with simple materials and presents a facade with little openings to the public road while keeping a very transparent relation with it's backyard. The detached roof creates extra room for friends and family reunions on weekends and allows easy future extension or even a duplication of the original plan if so desired. Service zones are sheltered by an adjecent volume built with bricks topped by the water tank. The mais body of the house is mostly built on wood but masonry can be found on the front facade, where it is carved by small, low windows that allow long views to the road in front when laying on the bed. Two aligned floor-to-ceiling doors allow air to flow through the house on warm days and can significantly change the relations of the house with its surroundings when opened. ",Rt="A Casa na Lagoa da Serra, sul de Santa Catarina, oferece à via de acesso uma fachada com poucas fenestrações enquanto relaciona-se com os fundos do terreno com bastante transparência. O descolamento do telhado cria uma área de estar para a reunião de amigos e família nas visitas de fim de semana. As áreas molhadas estão abrigadas em volume anexo, utilizado também pela caixa d'água. A variedade de materiais em uma casa tão pequena evidencia o caráter experimental do projeto. Dois pares de portas alinhadas no centro da planta e que vão do piso ao teto permites que o ar circule em abundância em dias quentes e alteram significativamente as relações da casa com seu entorno quando abertas.",Ct="status\r\nstudy\r\ndate\r\n2015\r\nlocation\r\nAraranguá, SC. Brazil. \r\nclient\r\nprivate\r\narchitecture\r\nGabriel Johansson Azeredo, Suelen Camerin, Carlos Eduardo Binato de Castro\r\nimages\r\nscopeo media",wt="status\r\nestudo.\r\ndata\r\n2015\r\nlocalização\r\nAraranguá, SC. Brasil. \r\ncliente\r\nprivado\r\narquitetura\r\nGabriel Johansson Azeredo, Suelen Camerin, Carlos Eduardo Binato de Castro\r\nimagens\r\nscopeo media",Pt="The competition was launched in September 2014 aiming to execute, alongside the City Council, a building that would house the administrative program of the existing construction: financial, administrative and general board. The current building would only house activities related to councilors.\r\nThe building site is located on the rear façade of the City Hall and is surrounded by trees, with few buildings nearby. The proposed project seeks not to stand out from the existing building and is related through the adoption of the same height and floor levels.\r\nThe main access is via the covered walkway that begins at the City Hall building. The project hall is positioned next to the south façade, the walkway enters the interior of the plant, providing visual integration between the different levels and maximizing the relationship between the building and the park in the background.\r\nThe functional sectors are completely integrated into free plans at all levels, the reserved and service areas are positioned on the façades, freeing the building's interior for everyday activities and intensive use.\r\nThe corners of the proposed building have two functions: structural and programmatic. The reinforced concrete structure makes it possible to establish the rigidity and bracing of the structure of steel columns and beams. Furthermore, the corners absorb essential programmatic needs: complementary facilities, elevators, stairs and restrooms.",Lt="O concurso foi lançado em setembro de 2014 com o objetivo de construir, ao lado da Câmara Municipal, uma edificação que abrigasse a parte administrativa da construção existente: diretoria financeira, administrativa e geral. O atual prédio abrigaria somente as atividades relacionadas aos vereadores.\r\nO terreno da construção é localizado na fachada posterior da Câmara Municipal e é cercado por árvores, com poucas construções no entorno próximo. O projeto proposto procura não se destacar em relação ao edifício existente e se relaciona através da adoção da mesma altura e da manutenção dos níveis dos pavimentos.\r\nO acesso principal é feito através da passarela coberta que tem seu início no edifício da Câmara Municipal. O hall do projeto é posicionado junto à fachada sul, a passarela entra pelo interior da planta, proporcionando integração visual entre os diferentes níveis e maximizando a relação entre o edifício e o parque ao fundo.\r\nOs setores funcionais são completamente integrados em plantas livres em todos os níveis, as áreas reservadas e de serviços são posicionadas nas fachadas, liberando o interior do edifício para as atividades corriqueiras e de uso intensivo. \r\nOs cantos da edificação proposta possuem duas funções: função estrutural e função programática. A estrutura de concreto armado permite estabelecer a rigidez e contraventamento da estrutura de pilares e vigas de aço. Além disso, as quinas absorvem necessidade programáticas essenciais: instalações complementares, elevadores, escadas e banheiros.\r\n",Dt="status\r\ncompetition. honorable mention.\r\nyear\r\n2014\r\nlocation\r\nPorto Alegre, RS. Brazil. \r\nclient\r\ncity council\r\narchitecture\r\nGabriel Johansson Azeredo, Pedro Leggerini, Gabriel Waquil, Rafael Lima, Márcio Britto, Márcio Braun\r\n\r\n\r\nawards\r\nhonorable mention\r\n\r\n\r\nimages\r\nscopeo media",Tt="status\r\nconcurso. menção honrosa.\r\nano\r\n2014\r\nlocalização\r\nPorto Alegre, RS. Brasil. \r\ncliente\r\ncâmara municipal\r\narquitetura\r\nGabriel Johansson Azeredo, Pedro Leggerini, Gabriel Waquil, Rafael Lima, Márcio Britto, Márcio Braun.\r\nprêmios\r\nmenção honrosa\r\nimagens\r\nscopeo media",kt="",yt="A Casa da Sustentabilidade (doravante referida como “Casa”) foi concebida para se integrar completamente ao Parque Portugal. Propõe-se que a visita ao edifício seja uma experiência fluida e concatenada com os demais percursos existentes no parque, amalgamando-se aos espaços abertos circundantes tanto através da continuidade de seus fluxos como com seus elementos de arquitetura que procuram diluir a transição entre áreas externas e internas ao longo da promenade.\r\nUm percurso periférico protegido pela generosa cobertura do edifício circunda toda a planta, o que significa que independentemente da direção pela qual o visitante se aproxime, uma vez acolhido pela Casa, todas as rotas estão disponíveis. O acesso noroeste prevê uma larga escadaria em leque que se desenvolve ao redor do salão de reuniões principal. Uma pequena fenestração oferece a possibilidade de saber se há alguma atividade de interesse em andamento, ratificando o caráter público do edifício.\r\nAberturas para a casa de bombas responsável por levar a água filtrada pelos jardins aos reservatórios superiores, localizada sob a escadaria que leva à cobertura, reforçam o caráter didático da construção.\r\nAs amplas portas de acesso no sudeste alinham-se com as portas do acesso noroeste, de modo que a galeria de exposições principal funciona como uma adjacência ao percurso proposto, não exigindo do visitante que dê meia volta e percorra novamente alguma área já visitada se isso não for de seu interesse. Assim, a visita ao edifício se torna muito mais atraente mesmo para o transeunte cotidiano, que muitas vezes atravessa o parque por necessidade e que dessa maneira pode se sentir convidado a agregar a Casa ao seu roteiro diário e, possivelmente, também a sustentabilidade que ela propala ao seu estilo de vida.\r\nO espaço de exposições temporárias conta com pé-direito alto e abundante iluminação natural proveniente tanto das aberturas laterais, protegidas da insolação direta pelas longas projeções da cobertura do edifício, como pela iluminação zenital sobre o alinhamento das portas, onde a proteção dos raios solares se dá pelo posicionamento estratégico de placas solares - gesto que une simbolicamente as estratégias de economia ativa e passiva de energia presentes no edifício. As áreas administrativas integram-se visualmente ao salão de exposições, fazendo proveito de sua iluminação natural.",Ht="status\r\ncompetition.\r\nyear\r\n2016\r\nlocation\r\nCampinas, SP. Brazil. \r\narchitecture\r\nGabriel Johansson Azeredo, Pedro Leggerini, Gabriel Waquil, Rodrigo Leães, Eduardo Koptikke.\r\nimages\r\nscopeomedia",zt="status\r\nconcurso\r\nano\r\n2016\r\nlocalização\r\nCampinas, SP. Brasil. \r\narquitetura\r\nGabriel Johansson Azeredo, Pedro Leggerini, Gabriel Waquil, Rodrigo Leães, Eduardo Koptikke.\r\nimagens\r\nscopeomedia",Ut="If our proposal for the Brazilian Council of Architecture and Urbanism and IAB/DF Headquarters reminds you more of a large house than of a standard office building, do not be surprised - that is exactly our intention. We are certain that this is the most suited character for this building, after all, it is the one that best represents the relationship we, architects, will have with this building. The program is organized around a large central courtyard, as well suggests the climate in central Brazil, which allows for natural illumination and ventilation to be available for all areas and establishes a desirable complicity between the different activities taking place in the building.\r\nWe gave prominence to walkable routes (promenades) associated with slightly slanted planes as the main ways to access the public areas within the building.  Once the visitor takes one of the paths to which he or she is invited and goes through the proposed concatenation of spaces, long perspectives are revealed, allowing one to visually apprehend the dimensions of the design and the way it is arranged. The handling of levels allowed good ceiling heights for both the plenary and the auditorium. The upper floor is reserved for the offices, which enjoy a quiet environment with great views over Brasília. By placing the all the offices on the top of the scheme, we have the opportunity to use both crossed and chimney-like natural ventilation as well as zenithal lightning, minimizing energy consumption and enhancing workers comfort, while also ensuring maximum integration and flexibility.",Bt="Caso nosso projeto para a sede nacional do Conselho dos Arquitetos e Urbanistas e do Instituto dos Arquitetos do Distrito Federal lembre mais uma grande casa que um edifício de escritórios padrão, não estranhe – essa é exatamente a nossa intenção. Temos convicção de que este é o caráter mais adequado para este edifício; afinal, é ele que melhor traduz a relação que nós, arquitetos, teremos com esta obra. O programa se organiza ao redor de um grande pátio central, como bem sugere o clima do planalto central, o que garante ventilação e iluminação natural em todos os ambientes e estabelece uma desejável cumplicidade entre as diferentes partes do programa.\r\nPrivilegiamos os percursos caminhados (promenades) associados a suaves planos inclinados como principal meio de acesso às atividades de caráter público do edifício. Ao tomar os caminhos a que é convidado e percorrer a concatenação de espaços proposta, perspectivas longas revelam-se para o visitante e permitem apreender visualmente as dimensões do projeto e a maneira como ele está organizado. A manipulação de níveis permitiu que se garantisse pé-direito adequado tanto ao plenário como ao auditório. A cota mais alta é reservada para as atividades de trabalho mais cotidianas, que desfrutam assim de mais tranquilidade e também de vistas privilegiadas sobre Brasília. Ao posicionar as atividades de trabalho cotidiano no segundo pavimento, temos a oportunidade de lançar mão de iluminação zenital e ventilação natural em esquema de chaminé, minimizando os gastos energéticos e maximizando o conforto dos usuários, além de garantir máxima integração e flexibilidade. O café e seu terraço estão implantados sobre o bloco de apoio, facilmente acessível para todos os usuários do edifício. A cobertura é ocupada por atividades públicas e coletivas do CAU/BR.\r\nA análise da planta revela a estratégia de concentrar as atividades principais nos blocos voltados para a frente e o fundo do terreno, enquanto o volume transversal absorve as áreas de apoio do programa, cuidadosamente acomodadas por trás das rampas que compõem o circuito espiral que permeia o projeto e que emprestam caráter institucional à fachada voltada para o pátio. A loja do IAB e o restaurante voltam-se para a rampa que dá acesso ao Centro Cultural, estabelecendo uma relação de desejável complementaridade.\r\nO paisagismo é aqui mais que um mero preenchimento de espaço. A convivência entre esculturas e espécies vegetais nativas proposta é parte fundamental da praça de acesso ao edifício e a área coberta a que se chega inicialmente funciona, retomando a analogia da casa, como a sala de estar do projeto. A área de desembarque do Centro Cultural se dá no pátio central, ao redor de uma grande árvore, e é acessada por via instalada sobre o perfil natural do terreno.\r\nConscientemente refutamos em nossa proposta a possibilidade de filiação unívoca e simples a qualquer escola de arquitetura preestabelecida sem deixar, porém, de usar várias estratégias de projeto reconhecíveis. Procuramos, acima de tudo. fazer um edifício verdadeiramente representativo, que fosse ao mesmo tempo didático para os arquitetos iniciantes e desafiador para os mais experientes.",Gt="status\r\nstudy.\r\nyear\r\n2016\r\nlocation\r\nBrasília, DF. Brazil.\r\ncliente\r\ncaubr, iabdf\r\narchitecture\r\nGabriel Johansson Azeredo, Gabriel Waquil, Pedro Leggerini\r\nimages\r\nscopeomedia",qt="status\r\nconcurso.\r\ndata\r\n2016\r\nlocalização\r\nBrasília, DF. Brasil. \r\ncliente\r\ncaubr, iabdf\r\narquitetura\r\nGabriel Johansson Azeredo, Gabriel Waquil, Pedro Leggerini\r\nimagens\r\nscopeomedia",Ft="The design for the Espaço do Arquiteto is the result of a competition promoted by the regional Architecture Council in 2016. ALTA’s project received an honorable mention.\r\nRestricted space and geometry lead the designed to be based on two premises: layout flexibility and avoidance of space subdivision. \r\nThe project is divided in two sectors: a central service block and a reception block with technical áreas. This strategic division results in a large and ample space that can be used in different ways: meetings, workshops, exhibitions, lectures, fairs and launches.\r\nA suspended steel frame bounds the center block. The structural choice allows for programmatic flexibility: internal spaces of the central block can be reconfigured according to the Council's needs. This sector of the project houses the service and private rooms, which can be entirely enclosed with descending curtains.\r\nThe reception and services block efficiently concentrates part of the program and prevents the technical areas from segmenting the project. Reception, warehouse, pantry, toilets and lockers are accommodated in this sector.",Nt="O projeto para o Espaço do Arquiteto é resultado de um Concurso de Arquitetura promovido pelo Conselho de Arquitetura regional em 2016. O projeto do ALTA Escritório de Arquitetura recebeu menção honrosa.\r\nO espaço com dimensões restritas faz com que o projeto seja alicerçado em duas premissas: flexibilidade de layout e oposição à subdivisão do espaço existente. \r\nO projeto é dividido, então, em duas partes: bloco central de atendimento e bloco de recepção com áreas técnicas. Essa divisão estratégica resulta em um grande e amplo espaço que pode ser utilizado de diversas formas: reuniões, workshops, exposições, palestras, feiras e lançamentos. \r\nUma estrutura de aço suspensa define o bloco central. A escolha estrutural permite flexibilidade programática: espaços internos do bloco central podem ser reconfigurados de acordo com a necessidade do Conselho. Esse setor do projeto abriga o atendimento e salas privativas, podendo ser inteiramente enclausurado com cortina descendentes. \r\nO bloco de recepção e serviços concentra, de forma eficiente, parte do programa de necessidades e evita que as partes técnicas segmentem o projeto. Recepção, almoxarifado, copa, lavabos e armários ficam acomodados nesse setor.",Vt="status\r\ncompetition\r\nyear\r\n2016\r\nlocation\r\nPorto Alegre, RS. Brazil.\r\nconstruction area\r\n220 m²\r\nclient\r\nprivate\r\narchitecture\r\nGabriel Johansson Azeredo, Gabriel Waquil, Pedro Leggerini, Luísa Koegler\r\nawards\r\nhonorable mention\r\nimages\r\nscopeomedia",Kt="status\r\nconcurso.\r\nano\r\n2016\r\nlocalização\r\nPorto Alegre, RS. Brasil.\r\nárea construída\r\n220 m²\r\ncliente\r\nprivado\r\narquitetura\r\nGabriel Johansson Azeredo, Gabriel Waquil, Pedro Leggerini, Luísa Koegler\r\nprêmios\r\nmenção honrosa\r\nimagens\r\nscopeomedia",Xt="The Pavilion of Brazil theme on EXPO 2020 Dubai, Together for Diversity, combines two words that reminds us how important is to understand that our country is a huge convergence of cultures from diffrent backgrounds and the celebration of this diversity is the only base we could conceive our unity. The design of the Pavillion is based on the idea of being united. The plan doesn’t divides the visitors in a long line of introverted experiences, but offers a space that privileges social interaction. The spaces are wide and the experiences are collective, always creating dialogue and collaboration. The flow organization and the concatenation of spaces that promotes a sequence of experiences that are planned to depeen the thematic axes of the exhibition leaves enough room for each visitor to walk the pavilion at their own pace.\r\nThe pavilion presents itself to the visitors as a huge sunroom that can be accessed from any direction and from which you can already see, through the perimeter permeability, the large central multi-height space around which the project is organized. This monumentalised central space where people reunite has precedentes in diverse cultures that compose Brazil, from the indigenous villages to Eropean relegious spaces, the circle has the imaginary power that referes to union and collectivity. The materialization of the pavilion through translucent surfaces and a cartesian matrix geometry also allows visitors of Arab origin to realize that there is a subtle tribute to their culture. Thus, it emphasize that Brazil’s atitude is frendly and the messege is universal. Although the pavilion is quite open from the observer’s point of view, it protects itself entirely from the strong sun of the region and takes advantage of its shape to naturally eliminate hot air accumulated through upper vents. ",Qt="O tema do Pavilhão do Brasil na EXPO 2020 Dubai, Together for Diversity, é um belo jogo de palavras que nos lembra quão importante é compreendermos que o nosso país é uma enorme convergência de culturas de origens diferentes e que a celebração desta complexidade é a única base sobre a qual podemos conceber nossa união. A arquitetura desenhada para o pavilhão se baseia na ideia de estarmos juntos uns com os outros. O projeto não segmenta os visitantes em uma longa fila de experiências introvertidas, mas sim oferece um grande espaço que privilegia a interação e a convivência. Os espaços são amplos e as experiências são coletivas, sempre convidando ao diálogo e à colaboração. A organização do fluxo e a concatenação de espaços que promovem a sequência de experiências planejadas para que se aprofundem os eixos temáticos da expografia deixa margem suficiente para que cada visitante percorra o pavilhão em seu próprio ritmo.\r\nO pavilhão se apresenta para os visitantes como uma enorme marquise que pode ser acessada de qualquer direção que se venha e a partir da qual já se pode antever, através da permeabilidade do perímetro, o grande espaço central de pé-direito múltiplo ao redor do qual se organiza o projeto. Este espaço central monumentalizado onde as pessoas se reúnem possui precedentes em diversas culturas que compõem o Brasil, desde as aldeias indígenas até os espaços religiosos europeus, enquanto o círculo possui uma potência imagética que remete à união e à coletividade. A materialização do pavilhão através de superfícies translúcidas e de uma geometria de matriz cartesiana permite também que visitantes de origem árabe percebam que há ali uma sutil homenagem à sua cultura. Assim, enfatizamos que a atitude do Brasil é amistosa e que sua mensagem é universal. Ainda que o pavilhão seja bastante aberto a partir do ponto de vista do observador, ele protege-se inteiramente do forte sol da região e aproveita sua forma para eliminar naturalmente o ar quente acumulado através de aberturas superiores.",Wt="status\r\ncompetition\r\nyear\r\n2018\r\nlocation\r\nDubai, United Arab Emirates. \r\narchitecture\r\nGabriel Johansson Azeredo, Ruti Luiza Conrad, Pedro Leggerini, Henrique Grillo, Ândrio Vicari, Henrique Clezar.\r\nimages\r\nscopeomedia",Jt="status\r\nconcurso\r\nano\r\n2018\r\nlocalização\r\nDubai, Emirados Árabes Unidos. \r\narquitetura\r\nGabriel Johansson Azeredo, Ruti Luiza Conrad, Pedro Leggerini, Henrique Grillo, Ândrio Vicari, Henrique Clezar.\r\nimagens\r\nscopeomedia\r\n",$t="This competition entry for the Kiss Nightclub Fire Memorial - which ended the life of 242 young people in the night of January 27th of 2013 in the city of Santa Maria, southern Brazil - is based on the creation of an empty civic space in a dense and old area of the city, where most buildings are lined with the sidewalks. \r\nThe design seeks for maximum flexibility and suppresses as much as possible the use of doors or any other unnecessary elements that may create sense of closure and reclusion. The main facade is built with translucent materials that filters the light entering the memorial room. It’s tectonical independence allows it to be explored as a connection between the different levels while its slight tilt helps it reflect the skylight. ",Zt="A proposta para o concurso Memorial às Vítimas da Kiss – incêndio na boate Kiss que deixou 242 vítimas na noite do dia 27 de Janeiro de 2013 na cidade de Santa Maria, sul do Brasil – é baseada na criação de um espaço vazio cívico em uma área densa e antiga da cidade, onde a maioria dos edifícios apresentam alinhamento junto ao passeio. \r\nO projeto busca o máximo de flexibilidade e suprime o uso de portas desnecessárias ou demais elementos que criem sensação de fechamento ou reclusão. A fachada principal é composta de materiais translúcidos que filtram a luz ao entrar no espaço do memorial. Sua independência tectônica permite que seja explorada como uma conexão entre os diferentes níveis enquanto sua leve inclinação ajuda a refletir a luz natural.",Yt="status\r\ncompetition.\r\nyear\r\n2018\r\nlocation\r\nSanta Maria, RS. Brazil.\r\nconstruction area\r\n600 m²\r\narchitecture\r\nGabriel Johansson Azeredo, Pedro Leggerini, Luiz Henrique Bongiolo Grillo, Ândrio Vicari, Natália Pires, Henrique Clezar, Lucas Kirchner\r\nimages\r\nscopeomedia\r\n",eo="status\r\nconcurso.\r\ndata\r\n2018\r\nlocalização\r\nSanta Maria, RS. Brasil.\r\nárea construída\r\n600 m²\r\narquitetura\r\nGabriel Johansson Azeredo, Pedro Leggerini, Luiz Henrique Bongiolo Grillo, Ândrio Vicari, Natália Pires, Henrique Clezar, Lucas Kirchner\r\nimagens\r\nscopeomedia",ao="The Termas da Serra project was launched in 2018 and covers a tourist complex in a mountainous region in southern Brazil, defined by accentuated topography and the presence of thermal waters in the project's terrain. In order to meet the growing demand for high-end hotels, the project's needs program includes a hotel, an event center, a water park and a spa.\r\nThe premises for the implementation of the project, in agreement with the designers and developers, are: integration with the landscape, environmental preservation, enhancement of local culture and conservation of the existing historical heritage.\r\nThe design is smoothly accommodated through delicate curvilinear geometry in the topography of the terrain. This design avoids exaggerated earthwork, reducing the ecological footprint of construction, and integrates the complex with the natural surroundings, respecting the native landscape. The implementation of the project also results in the reduction of the use of stairs and elevators for vertical displacements, vertical movement is mostly done through ramps that interconnect internal and external spaces.\r\nAs materiality, preference was given to local materials abundant in the region: stone and wood. These traditional materials are used in contemporary ways in the project, but maintaining visual similarity with the local constructions. The same curves that occur in the plant also occur in the roofs of the spa and event center spaces, promoting a unique plastic solution.\r\nCommon areas are spacious and comfortable. In these spaces, natural lighting is imperative, this solution reduces energy consumption while lightening the spaces in a gentle way, without obfuscating the users of the environments. Extended eaves protect the indoor environments from direct lighting and offer spaces for protection from the weather. The internal spaces are continuous and integrate seamlessly, without a clear division between the spaces.\r\nThe complex's hotel has 384 apartment units, divided into 15 buildings positioned lightly on the terrain’s curves. The choice of separate buildings seeks not to obstruct the landscape with a construction of exaggerated proportions and at the same time to guarantee the privacy of the people who stay at the hotel. The apartments overlook the slope of the land and are oriented to the North, ensuring abundant natural lighting, characteristic of the entire complex.",to="O projeto das Termas da Serra iniciou-se em 2018 e abrange um complexo turístico em região montanhosa no Sul do Brasil, caracterizada por relevo acentuado e presença de águas termais em no terreno do projeto. Visando suprir a crescente demanda pela hotelaria de alto padrão, o programa de necessidades do empreendimento conta com hotel, centro de eventos, parque aquático e spa. \r\nAs premissas da implantação do projeto, em acordo com os projetistas e desenvolvedores, são: integração com a paisagem, preservação ambiental, valorização da cultura local e conservação do patrimônio histórico existente. \r\nO projeto é acomodado suavemente através de geometria curvilínea delicada na topografia do terreno. Esse partido evita exageradas movimentações de terra, diminuindo a pegada ecológica da construção, e integra o complexo ao entorno natural, respeitando a paisagem nativa. A implantação do projeto também resulta na diminuição do uso de escadas e elevadores para deslocamentos verticais, a circulação vertical é feita, em sua maioria, através de rampas que interconectam espaços internos e externos.\r\nComo materialidade, deu-se preferência a insumos locais abundantes na região: pedra e madeira. Os materiais são utilizados de formas contemporâneas no projeto, mas mantendo similitude visual com as construções locais. As mesmas curvas que ocorrem em planta também ocorrem nas coberturas dos espaços de spa e centro de eventos, promovendo solução plástica singular. \r\nOs ambientes comuns são amplos e confortáveis. Nesses espaços, a iluminação natural é peremptória, essa solução diminui o consumo energético ao mesmo tempo que clareia os espaços de forma gentil, sem ofuscar os usuários dos ambientes. As construções contam com beirais prolongados que protegem os ambientes da iluminação direta e oferecem espaços de proteção das intempéries. Os espaços internos são contínuos e se integram homogeneamente, sem divisão clara entre ambiente.\r\nO hotel do complexo conta com 384 unidades de apartamentos, divididos em 15 edificações posicionadas levemente nas curvas do terreno. A escolha por edificações separadas visa não obstruir a paisagem com uma construção de proporções exageradas e ao mesmo tempo garantir a privacidade das pessoas que se hospedam no hotel. Os apartamentos têm vista para o declive do terreno e são orientados para o Norte, garantindo farta iluminação natural, característica de todo o complexo.",oo="status\r\nstudy.\r\ndate\r\n2018\r\nlocation\r\nLinha Bonita, Gramado – RS, Brasil\r\nconstruction area\r\n43.328 m²\r\nclient\r\nprivate\r\narchitecture\r\nGabriel Johansson Azeredo, Christine Ozio de Oliveira\r\ndevelopment\r\nPruma – inteligência integrada, VerdeGente\r\nimages\r\nscopeomedia",io="status\r\nestudo.\r\ndata\r\n2018\r\nlocalização\r\nLinha Bonita, Gramado – RS, Brasil \r\nárea construída\r\n43.328 m²\r\ncliente\r\nprivado\r\narquitetura\r\nGabriel Johansson Azeredo, Christine Ozio de Oliveira\r\ndesenvolvimento\r\nPruma – inteligência integrada, VerdeGente\r\nimagens\r\nscopeomedia\r\n",no="In 2018, DOM.RF, launched, together with Strelka, the Competiton for Standard Housing and Residential Development Concept with the aim of developing residential projects on an urban scale through alternative housing typologies. The competition focus was on desiging new apartment layouts (from studios to four-bedroom apartments) and ensuring urban and spatial quality. Buildings should meet sustainability criteria and should be divided into types of low, medium and high height.\r\nOur effort aims at finding balance and beauty in city fabric. We believe in the importance of having richly activated streets on pedestrian-level and on the joy of unexpected meetings and any other kind of urban social interactions - yet, we do not seek those qualities in any sort of emulation of the medieval city fabric, but in relatively small, porous and intertwined city blocks and avantgarde architecture. The design explores both peripherical sidewalks and the blocks’ interiority - providing both urban, fast-paced and quieter, more bucolic path alternatives. A low, linear construction connects the residential buildings, helping shape legible spaces within the block while providing room for commercial and public activities that are essential complements to the residences. Above it, the residents find abundant condominium terraces for sunbathing and friendly gatherings. Greenery plays an important role, not being used as mere focal points or decoration, but as an integral part of the landscape, without overcoming the essentially urban and active essence of the proposal.\r\nAs for architecture, the composition respects each building’s specific plastic expression and material qualities at the same time as it creates specific identities to each urban block by subtle manipulations on the arrangement of the elements. Our proposal for a mixed concrete and timber structure stands for a more logical usage of renewable, local materials. The plans are radically flexible, using the facades as systems not only for illumination and ventilation, but also for storage, desks and counters solutions. Wet areas are linearly disposed, rationalizing the construction and leaving broad, free zones for the main spaces of the apartments, granting not only flexibility for layout changes within the units but also for entire pavements reorganizations, allowing the buildings to support demand changes on much longer terms.",ro="Em 2018, a DOM.RF lançou, junto com a Strelka, o Concurso Standard Housing and Residential Development Concept com o objetivo de desenvolver projetos residenciais em escala urbana através de tipologias habitacionais alternativas. O foco do concurso estava na criação de novos layouts de apartamentos (de studios a apartamentos de quatro dormitórios) e que fosse garantida a qualidade urbana e espacial. As edificações deveriam atender critérios de sustentabilidade e deveriam ser dividas em tipologias de baixa, média e alta altura.\r\nO projeto procura encontrar equilíbrio e beleza no tecido da cidade. Nós acreditamos na importância de ter ruas ricamente ativadas no nível do pedestre e na alegria de reuniões inesperadas e qualquer outro tipo de interação social urbana - todavia, não buscamos essas qualidades em qualquer tipo de emulação do tecido da cidade medieval, mas em quarteirões da cidade relativamente pequenos, porosos e entrelaçados e com arquitetura contemporânea. O projeto explora calçadas periféricas e o interior dos blocos - proporcionando um ambiente urbano, rápido e silencioso, mais alternativas de caminhos bucólicos. Uma construção baixa e linear conecta o os edifícios residenciais, ajudando a moldar espaços legíveis dentro do bloco, enquanto fornece espaço para atividades comerciais e públicas que são complementos essenciais para as residências. Acima dela, os moradores encontram abundantes terraços de condomínio para banhos de sol e encontros amigáveis. A vegetação desempenha um papel importante, não sendo usado como meros pontos focais ou decoração, mas como parte integrante da paisagem, sem superar a essência essencialmente urbana e ativa da a proposta.\r\nQuanto à arquitetura, a composição respeita a expressão plástica e qualidades materiais de cada edificação ao mesmo tempo que cria identidades por manipulações sutis no arranjo de os elementos. Nossa proposta de estrutura mista de concreto e madeira serve um uso mais lógico de materiais locais renováveis. Os planos são radicalmente flexíveis, utilizando as fachadas como sistemas não só de iluminação e ventilação, mas também para soluções de armazenamento, mesas e balcões. As áreas úmidas são linearmente dispostas, racionalizando a construção e deixando amplas zonas livres para os espaços principais dos apartamentos, conferindo não só flexibilidade para alterações de layout dentro das unidades, mas também para reorganizações inteiras de pavimentos, permitindo a edifícios para suportar mudanças de demanda em prazos muito mais longos.",so="status\r\ncompetition.\r\nyear\r\n2018\r\narchitecture\r\nGabriel Johansson Azeredo, Ruti Luiza Conrad, Pedro Leggerini, Henrique Grillo, Ândrio Vicari, Lucas Kirchner, Henrique Clezar.",co="status\r\nconcurso\r\nyear\r\n2018\r\narquitetura\r\nGabriel Johansson Azeredo, Ruti Luiza Conrad, Pedro Leggerini, Henrique Grillo, Ândrio Vicari, Lucas Kirchner, Henrique Clezar.",po="Casa Lacerda is a 19th century building and listed by the National Historical and Artistic Heritage Institute (IPHAN) in 1938. The building is located in the south of Brazil, more precisely in the city of Lapa, in Paraná. The residence was owned by the merchant Manoel José Corrêa de Lacerda.\r\nThe competition, launched in October 2019, was promoted by IPHAN itself and organized by the Paraná State Department of the Institute of Architects of Brazil (IAB-PR). The competition aimed to develop a preliminary building annex project to enhence the current museological use of Casa Lacerda. The program proposed by the competition required, among other things: administrative spaces, toilets, library, exhibition space, souvenir shop and kitchen.\r\nUsually, interventions in historical heritage are divided into two strategies: exact copy of the pre-existing construction characteristics or total break with the formal and plastic pattern. The project does not adopt any of these alternatives in a decisive way, it was opted for a balanced solution between the recurring strategies.\r\nThe facade facing Casa Lacerda has plastered walls painted with the same of the existing building, as well as using a roof with identical technology. The opposite façade has an abstract and singular formal solution. The result is an ensemble in harmony with the existing building, but at the same time it also clearly presents itself as a contemporary construction. The building is cohesive and functions naturally incorporated into Casa Lacerda, emphasizing its architectural characteristics in a way that is both subtle and forceful.\r\nThe new construction is semi-buried and does not obstruct the view from the House. The ground floor of the annex building is set at level -5.2, resulting in a level difference in relation to the Francisco Brito de Lacerda crosswalk, enabling comfortable heights on both floors that accommodate the activities planned for the new building without any visual obstruction for the visitors of the House. The adoption of a small patio adjoining the historic patio and the accommodation of the gregarious activities around it greatly increases the contact area between the new and the old, making the circulation between the natural and inviting. different areas. This patio was carefully designed to serve both the second floor and the ground floor, also allowing for small informal presentations due to the bleachers made possible by its conformation.\r\nThe “H” shape of the proposal for Casa Lacerda allows the building to be internally lit in all orientations, all work areas and permanence in the building have openings that allow the entry of natural light, reducing the need for artificial light. In the exhibition area, a slit in the slab allows for natural lighting of the space. Eaves and awnings on the facades allow controlling the incidence of sun in the summer, reducing the need for air conditioning, helping to maintain thermal comfort inside the building and decreasing the demand for electricity. The use of materials, components, inputs and special construction techniques was avoided. Preference was given to conventional materials and techniques that do not use specialized labor, facilitating the maintenance processes of the constructed work. The fact that the proposal is semi-buried (taking into account the original profile of the land), does not interrupt the wind to flow and avoids excessive shading in the implantation terrain and neighbors of the direct surroundings.",lo="A Casa Lacerda é uma construção do século XIX e tombada pelo Instituto do Patrimônio Histórico e Artístico Nacional (IPHAN) em 1938. A edificação é localizada no Sul do Brasil, mais precisamente na cidade de Lapa, no Paraná. A residência era de propriedade do comerciante Manoel José Corrêa de Lacerda.\r\nO concurso, lançado em outubro de 2019, foi promovido pelo próprio IPHAN e organizado pelo departamento do estado do Paraná do Instituto de Arquitetos do Brasil (IAB-PR). O concurso teve como objetivo o desenvolvimento de um projeto preliminar de edificação anexa para complementar o atual uso museológico da Casa Lacerda. O programa de necessidades proposto pelo concurso exigiu, entre outras coisas: espaços administrativos, espaços de operação, sanitários, biblioteca, espaço de exposições, loja e cozinha.\r\nNormalmente, as intervenções no patrimônio histórico são divididas em duas estratégias: cópia exata das características construtivas pré-existentes ou ruptura total com o padrão formal e plástico. O projeto não adota nenhuma dessas alternativas de forma decisiva, optou-se por uma solução equilibrada entre as estratégias recorrentes.\r\nA fachada voltada para a Casa Lacerda tem paredes rebocadas e pintadas na cor da edificação existente, assim como utiliza telhado com tecnologia idêntica. A fachada oposta tem solução formal abstrata e singular. O resultado é um conjunto em harmonia com a edificação existente, mas que ao mesmo tempo também se apresenta, de forma clara, como uma construção contemporânea. O conjunto é coeso e funciona de maneira naturalmente incorporada à Casa Lacerda, ressaltando suas características arquitetônicas de maneira ao mesmo sutil e contundente.\r\nA nova construção é semi-enterrada e não obstrui a vista que se tem a partir da Casa. O térreo da edificação anexo é definido no nível -5.2, resultando em um pequeno rebaixo em relação ao passeio da travessa Francisco Brito de Lacerda, viabilizando que se obtenham confortáveis alturas de pé direito nos dois pavimentos que acomodam as atividades previstas para a nova edificação sem qualquer obstrução visual para os visitantes da Casa. A adoção de um pequeno pátio contíguo ao pátio histórico e a acomodação das atividades gregárias ao redor deste em muito aumenta a área de contato entre o novo e o antigo, tornando natural e convidativa a circulação entre as diferentes áreas. Este pátio foi cuidadosamente planejado para servir tanto ao segundo pavimento como ao térreo, permitindo ainda a realização de pequenas apresentações informais em função das arquibancadas viabilizadas por sua conformação.\r\nO formato em “H” da proposta para a Casa Lacerda permite que a edificação seja internamente iluminada em todas as orientações, todas as áreas de trabalho e permanência no edifício tem aberturas que permitem a entrada de luz natural diminuindo a necessidade da luz artificial. Na área de exposições, um rasgo na laje permite a iluminação natural do espaço. Beirais e toldos nas fachadas permitem controlar a incidência do sol no verão, diminuindo a necessidade do uso de ar-condicionado, colaborando para a manutenção do conforto térmico no interior da edificação e diminuindo a exigência de energia elétrica. Foi evitado o uso de materiais, componentes, insumos e técnicas construtivas especiais. Foi dada preferência a materiais e técnicas convencionais que não utilizem mão-de-obra especializada facilitando os processos de manutenção da obra construída. O fato da proposta ser semienterrada (levando em conta o perfil original do terreno), não interrompe o fluxo das correntes de ventos e evita o sombreamento excessivo no terreno de implantação e vizinhos do entorno direto.",go="status\r\ncompetition.\r\nyear\r\n2019\r\nlocation\r\nLapa, PR. Brazil. \r\nconstruction area\r\n369,13 m²\r\nclient\r\ncompetition\r\narchitecture\r\nGabriel Johansson Azeredo, Ruti Conrad\r\nproject team\r\nPedro Leggerini, Gabriel Waquil \r\ncost\r\nr$ 1.980.700,00\r\nimages\r\nscopeo media",mo="status\r\nconcurso.\r\ndata\r\n2019\r\nlocalização\r\nLapa, PR. Brasil. \r\nárea construída\r\n369,13 m²\r\ncliente\r\nconcurso\r\narquitetura\r\nGabriel Johansson Azeredo, Ruti Conrad\r\nequipe\r\nPedro Leggerini, Gabriel Waquil \r\ncusto\r\nr$ 1.980.700,00\r\nimagens\r\nscopeo media",uo="The intervention guidelines of the proposal are based on the environmental analysis of the site and aim at minimal interference on the soil, seeking the preservation of existing natural elements and prevention against landslides and erosion - a problem identified in previous studies. Thus, the proposal starts from the zoning of existing routes and areas of more stable topography for the positioning of the permanent equipment.\r\nAs a architectural program, the following buildings are suggested to allow the social activation of the Park, so as to make it attractive for the inhabitants of the city of Camaçari and the region: observatory, sports and recreational area, ecumenical center, native plants nursery and a central building receiving administrative and educational program.\r\nA vertical observatory, associated to the main building, gives a total view of the park, allowing to observe all the environmental systems of the surroundings, infrastructure and occupations of the Park. An ecumenical center, on the crest of Morro da Manteiga, on the south side, welcomes the residents of Camaçari to celebrate their diverse faiths and religions. The native plants nursery is near the main access to facilitate logistics and take advantage of the ideal solar orientation and is destined to produce native seedlings for the reforestation of the park itself, the Forest Ring and eventually the district of Camaçari.\r\nThe main access road is maintained through Dilson Magalhães Avenue and five more accesses are added to ensure greater permeability. The paths are designed to interfere as little as possible in the sensitive topography of the slope. They follow the contour lines and promote a gentle ascent from the accesses to the highest levels and are associated with drainage ditches designed to facilitate the drain of rainwater. The current informal mountain bike track is assumed as a consolidated circuit and minimal changes are planned in the course design in order to avoid interference in the proposed equipment.",_o="As diretrizes de intervenção da proposta se baseiam na análise ambiental do local e visam interferência mínima no terreno buscando a preservação dos elementos naturais existentes e prevenção contra desmoronamentos e erosões – problema identificado nos estudos prévios. Assim, a proposta parte do zoneamento de percursos existentes e áreas de topografia mais estável para o posicionamento dos equipamentos fixos. \r\nComo programa, são sugeridas as seguintes edificações para possibilitar a ativação social do Parque, de modo a torná-lo atrativo para os habitantes de Camaçari e da região: mirantes, zona esportiva e de recreação, centro ecumênico, viveiro de mudas nativas e edifício-sede recebendo programa administrativo e educacional. \r\nUm mirante horizontal, em forma de arquibancada, é posicionado no lado oeste do Parque, possibilitando descanso e a visual da área central de Camaçari. Um mirante vertical, associado à edificação principal, possibilita uma visualização do Parque de forma total, permitindo observar todos os sistemas ambientais do entorno, infraestrutura e ocupações do Parque. Um centro ecumênico, na crista do Morro, no lado Sul do Morro, recebe os moradores de Camaçari para celebrarem suas diversas fés e religiões. O viveiro fica próximo ao acesso principal para facilitar a logística e aproveitar a melhor orientação solar e é destinado a produção de mudas nativas para o reflorestamento do próprio parque, do Anel Florestal e eventualmente do município de Camaçari.\r\nÉ mantida a via de acesso pela Av. Ver. Dilson Magalhães e são adicionados mais cinco acessos para garantir maior permeabilidade. Os caminhos são projetados visando interferir o mínimo possível na topografia sensível do Morro, eles seguem as curvas de nível e promovem uma ascensão suave dos acessos até as cotas mais elevadas e junto a eles foram projetadas valas de drenagem para facilitar o escoamento da água da chuva. A atual pista informal de mountain bike é assumida como circuito consolidado e são projetadas alterações mínimas no traçado do curso visando evitar a interferência nos equipamentos propostos.",bo="status\r\ncompetition\r\ndate\r\n2019\r\nlocation\r\nCamaçari, BA. Brazil.\r\nconstruction area\r\n678.100 m²\r\narchitecture\r\nGabriel Johansson Azeredo, Ruti Luiza Conrad, Gabriel Waquil, Pedro Leggerini\r\nimages\r\nscopeomedia",fo="status\r\nconcurso.\r\ndata\r\n2019\r\nlocalização\r\nCamaçari, BA. Brasil.\r\nárea construída\r\n678.100 m²\r\narquitetura\r\nGabriel Johansson Azeredo, Ruti Luiza Conrad, Gabriel Waquil, Pedro Leggerini\r\nimagens\r\nscopeomedia",jo="The Sanitary Unit project is the result of the National Public Competition for Architecture and Urbanism for the Preliminary Design for the Sanitary Unit Prototype aimed at Technical Assistance for Social Interest Housing (ATHIS) launched in September 2020. The Competition, promoted by the Architecture Council, it is part of a set of initiatives by the Council to promote architecture through design solutions that seek to solve the low levels of sanitation in the dwellings of low-income families while providing essential hygiene conditions. Sanitation and hygiene is even more necessary in the pandemic context.\r\nALTA's proposal was selected as the winner among 500 national submissions, along with four other proposals, in November 2020.\r\nThe project includes a washing tank, cistern, shower, toilet, hygienic shower and washbasin, being designed to have a direct connection with the existing dwellings. The proposal aims to optimize space and construction, resulting in a lean design with easy transport and feasible execution.\r\nThe project is divided into two main components: bathroom and laundry area. The connection area between the Sanitary Unit and the residence also functions as a service area with a washbasin and space for a washing machine. In the main part of the project there are bathroom equipments: shower, toilet and hygienic shower. Above the bathroom, supported by a steel structure, is the water tank that supplies the entire Sanitary Unit. The washing tank is located outside, but protected from the weather.\r\nThe Unit was designed with Light Steel Frame structure frames, with the aim of making the construction more agile and without construction waste. The Light Steel Frame structure is divided into three modules executed off-site site and transported separately, the join of the modules is executed in the construction site.\r\nFoundations have a dual function: they distribute the construction loads to the supporting soil and it also functions as the sewage treatment system. Blackwater is treated with a biodigester and greywater is treated with a decantation process. The final destination of the effluents is through a Contructed Wetland built next to the Sanitary Unit, this complementary system allows the correct disposal of the final product of the treated sewage, thus avoiding contamination of the soil and groundwater. Rainwater is captured by the roofs of the Sanitary Unit and is reused using a cistern.\r\nAfter the conclusion, the copyright of the project is assigned to CAU-RS, which can use it in the way that it finds most effective.",ho="O projeto de Unidade Sanitária é resultado do Concurso Público Nacional de Arquitetura e Urbanismo para o Anteprojeto de Protótipo de Unidade Sanitária voltada à Assistência Técnica para Habitação de Interesse Social (ATHIS) lançado em setembro de 2020. O Concurso, promovido pelo CAU-RS, faz parte de um conjunto de inciativas do Conselho para a promoção da arquitetura através de soluções projetuais de arquitetura que busquem resolver os baixos índices de saneamento nas residências de famílias de baixa renda ao mesmo tempo que fornece condições essenciais de higiene. O tema do saneamento e higiene se faz ainda mais necessário no contexto pandêmico.\r\nA proposta do ALTA foi selecionada como vencedora, entre 500 submissões nacionais, junto com outras quatro propostas em novembro de 2020.  \r\nO projeto conta com tanque de lavar roupa, cisterna, chuveiro, bacia sanitária, ducha higiênica e lavatório, sendo projetada para ter conexão direta com as habitações existentes. A proposta visa a otimização do espaço e da construção, resultando num projeto enxuto com fácil transporte e fácil execução.\r\nA projeto é dividido em dois componentes principais: banheiro e área de serviço. A área de conexão da Unidade Sanitária com a residência funciona, também, como área de serviço com lavatório e espaço para máquina de lavar roupa. Na parte principal do projeto, estão os equipamentos de banheiro: chuveiro, bacia sanitária e ducha higiênica. Acima do banheiro, apoiada em estrutura de aço, fica a caixa d’agua que abastece toda a Unidade Sanitária. O tanque de lavar roupa fica localizado externamente, mas protegido das intempéries.\r\nA Unidade foi projetada com estrutura de Light Steel Frame, com o objetivo de tornar a construção mais ágil e sem desperdícios. A estrutura de Light Steel Frame é dividida em três módulos executados fora do canteiro de obras e transportadas separadamente, deixando para o local de implantação a união entre a estrutura.\r\nAs fundações exercem dupla função: descarregam as cargas da construção no solo e também funciona como o sistema de tratamento do esgoto. A águas escuras são tratadas através de biodigestor e as águas cinzas são tratadas com um processo de decantação. A destinação final dos efluentes se dá através de um Sistema Alagado Construído ao lado da Unidade Sanitária, esse sistema complementar permite que o correto descarte do produto final do esgoto tratado, evitando assim, a contaminação do solo e do lençol freático. A água da chuva é captada pelos telhados da Unidade Sanitária e é reaproveitada com o uso de cisterna.\r\nApós a conclusão do projeto, o direito autoral patrimonial do projeto é cedido ao CAU-RS, que pode utilizá-lo da maneira que achar mais eficaz.",Ao="status\r\ncompetition.\r\ndate\r\n2020-2021\r\nlocation\r\nPorto Alegre, RS. Brazil. \r\nconstruction area\r\n4,25 – 7,83 m²\r\nclient\r\ncau-rs\r\narchitecture\r\nGabriel Johansson Azeredo, Ruti Luiza Conrad.\r\nproject team\r\nMariana Lacerda (architecture intern), Brenda Maria Berguemeyer (building technician intern), Tainã Luiz Prodorutti (architecture intern), Gabriel Waquil (architecture).\r\nawards\r\nwinning proposal.\r\nstructural engineering\r\nMatheus Erpen Benincá, Marcelo Ferreira de Souza Bezerra Araújo\r\neletrical engineering\r\nGabriela Lazzaretti Gonçalves\r\nhydrosanitary engineering\r\nBruna Spricigo\r\ncost\r\nr$ 21 mil",So="status\r\nconcurso.\r\ndata\r\n2020-2021\r\nlocalização\r\nPorto Alegre, RS. Brasil. \r\nárea construída\r\n4,25 – 7,83 m²\r\ncliente\r\ncau-rs\r\narquitetura\r\nGabriel Johansson Azeredo, Ruti Luiza Conrad.\r\nequipe\r\nMariana Lacerda (estagiária de arquitetura), Brenda Maria Berguemeyer (estagiária de arquitetura), Tainã Luiz Prodorutti (estagiário de arquitetura), Gabriel Waquil (arquitetura).\r\nprêmios\r\nvencedor do concurso\r\nengenharia estrutural\r\nMatheus Erpen Benincá, Marcelo Ferreira de Souza Bezerra Araújo\r\nengenharia elétrica\r\nGabriela Lazzaretti Gonçalves\r\nengenharia hidrossanitária\r\nBruna Spricigo\r\ncusto\r\nr$ 21 mil",vo="The Geroni Posanki Street’s House is situated in Videira, a city located in the Santa Catarina state’s center, 380 km away from the state capital, Florianópolis. The project's site is 3 km away from the city center, it has houses built in the edges and it is northwest oriented.\r\nThe house is planned to attend a middle-aged couple, and it is composed by a bedroom, bathroom, living room, kitchen, swimming pool, patios, orchid nursery, guest room and a two cars garage.\r\nThe project extends itself across the entire site’s lateral width, maximizing the use of the available area. Instead of an isolated house surrounded by narrow gardens, the floor plan covers most of the site and have the rooms facing generous internal gardens.\r\nThe garage is located at the house’s entrance and has a cabinet for storage of objects and tools. A bit further there is a guest room and a toilet that serves both the guest room and the rest of the house.\r\nThe living room is the home’s integrative room, and all the other spaces can be accessed through it. The largest dimension of the room is 13.6 meters, which results in an area that houses leisure and rest activities as well as the kitchen and dining table. Two large windows light up the space, natural lighting is guaranteed at different levels since the frames are positioned on opposite walls; the north oriented window ensures direct light and the south oriented one allows a soft and indirect light, ideal for the summer days.\r\nThe larger patio has a swimming pool, and it is located on the site’s north, a great location for the summer days. The elongated eave houses a barbecue area and protects the interior of the building from intense sunny days, a retractable awning allows this shaded area to be increased when necessary.\r\nThe couple’s private area is divided from the common ones by a closet that extends itself from the larger dimension of the room. The fixed closet serves both the bedroom and the living room and accommodates the fireplace that heats the area.\r\nThe couple's bedroom has a private bathroom, illuminated and ventilated by a pleasant winter garden, that eliminates the need for artificial light during the day.\r\nA third inner garden is situated between the living room and the inner bedroom. This garden is protected from intense light, ideal for the orchid nursery and relaxation by the wooden hot tub.",Oo="A Casa na Rua Geroni Posanki é localizada no município de Videira, situado no centro do estado de Santa Catarina e distante a 380 km da capital do estado, Florianópolis. O terreno de implantação do projeto é distante 3 km do centro da cidade, tem residências construídas nas medianeiras e fachada frontal é orientada para noroeste.\r\nO programa de necessidades visa atender um casal de meia idade, com: dormitório, banheiro, sala, cozinha, piscina, pátios, orquidário, quarto para visitas e garagem para dois carros.\r\nO projeto ocupa toda a dimensão lateral do terreno com a intenção de maximizar o aproveitamento da área total do lote. Ao invés de uma casa isolada e circundada por jardins estreitos temos uma residência que cobre a maior parte do terreno e com cômodos voltados para generosos jardins internos.\r\nA garagem dos carros está na parte frontal do projeto, com área e armário para depósito de objetos e ferramentas. Logo adiante, temos a quarto de hospedes com um banheiro externo que pode ser utilizado por demais usuários da residência.\r\nA sala é o cômodo integrador da residência, o acesso a todos os outros espaços pode se dar através dela. A dimensão maior do cômodo é de 13,6 metros, o que resulta numa área que abriga atividades de lazer e descanso como também abriga a cozinha e mesa para refeições. Duas janelas de dimensões elevadas banham a sala com luminosidade, a iluminação natural é garantida em diferentes níveis devido ao fato das esquadrias estarem posicionadas em paredes opostas; a janela orientada ao Norte garante iluminação direta e a janela orientada para o Sul permite iluminação indireta e suave, ideal para os dias de verão.\r\nA maior área externa conta com a piscina e é situada na parte norte do lote, ideal para os dias de verão. O beiral prolongado abriga a área para churrasco e protege o interior da construção dos dias de sol intenso, um toldo retrátil permite que essa área de proteção e sombreamento seja aumentada quando necessário.\r\nA divisão entre as áreas comuns e área privativa do casal é feita através de um armário que se alonga da dimensão maior da sala. O móvel fixo serve tanto ao dormitório quanto à sala, embutido nele está a lareira que aquece o ambiente.\r\nO dormitório do casal conta com banheiro privado iluminado e ventilado por um satisfatório jardim de inverno, eliminando a necessidade de luz artificial durante o dia.\r\nUm terceiro jardim interno é situado entre a sala e o dormitório interno. Esse jardim é protegido da luz intensa, ideal para o orquidário e relaxamento junto ao ofurô de madeira.",Mo="status\r\nstudy\r\ndate\r\n2021\r\nlocation\r\nVideira, SC. Brasil. \r\nconstruction area\r\n350 m²\r\nclient\r\nprivate\r\narchitecture\r\nGabriel Johansson Azeredo\r\nproject team\r\nBruna Spricigo, Ruti Conrad.\r\nengineering consulting\r\nBruna Spricigo, Matheus Benincá\r\nimages\r\nscopeo media",Io="status\r\nestudo. \r\ndata\r\n2021\r\nlocalização\r\nVideira, SC. Brasil. \r\nárea construída\r\n350 m²\r\ncliente\r\nprivado\r\narquitetura\r\nGabriel Johansson Azeredo\r\nequipe\r\nBruna Spricigo, Ruti Conrad. \r\nconsultoria em engenharia\r\nBruna Spricigo, Matheus Benincá\r\nimagens\r\nscopeo media",Eo="The DNA Beer stand stands out by itself. Its angled presence instigates, throughout the approach, a closer look, inviting the visitor to experience the space. Measuring 3m x 3m x 5m and illuminated from the inside, it is a lighting tower exponent in the landscape. Built with a few metal profiles and some sheets of the same material and also translucent, it is simple to transport and easy to assemble.\r\nIts trussed base ensures rigidity to the structure. In addition to the tower, the formalization of its shadow creates a reserved external environment. Like a bar, the benches serve to support customers while providing a collective atmosphere to the space. Tables orbit the illuminated central element, providing greater coverage and versatility to the stand.",xo="O Quiosque da DNA Beer se destaca por si só. Sua implantação angulada instiga, ao longo da aproximação, um olhar mais atento, convidando o visitante a experimentar o espaço. Com dimensões de 3m x 3m x 5m e iluminada desde seu interior, é uma torre de luz expoente na paisagem. Constituído por poucos perfis metálicos e algumas chapas do mesmo material e também translúcidas, é de simples transporte e fácil montagem.\r\nSua base treliçada garante rigidez à estrutura. Além da torre, a formalização da sua sombra dá origem a um ambiente externo reservado. Como um bar, as bancadas servem de apoio aos clientes ao mesmo tempo que proporcionam uma atmosfera coletiva ao espaço. Mesas orbitam o elemento central iluminado, possibilitando maior abrangência e versatilidade ao quiosque.\r\n",Ro="status\r\nstudy.\r\nyear\r\n2021\r\nlocation\r\nPorto Alegre, RS. Brazil.\r\nconstruction area\r\n32,2 m²\r\nclient\r\nDNA beer\r\narchitecture\r\nGabriel Johansson Azeredo, Ruti Conrad\r\nimages\r\nscopeomedia\r\n",Co="status\r\nestudo.\r\nano\r\n2021\r\nlocalização\r\nPorto Alegre, RS. Brasil.\r\nárea construída\r\n32,2 m²\r\ncliente\r\nDNA beer\r\narquitetura\r\nGabriel Johansson Azeredo, Ruti Conrad\r\nimagens\r\nscopeomedia\r\n",wo={name:"Home",components:{MenuLateral:ce,QuadroInferior:jt,MainViewport:et},props:{InsertedURL:{type:String,required:!1}},mounted:function(){var e,a;if(void 0!==this.InsertedURL&&""!==this.InsertedURL){e=this.InsertedURL.replaceAll("%20"," "),a=e.split("/"),this.selected_button=a[a.length-2],"en"===a[a.length-1]?this.language="eng":this.language="port";var t,o=Object(l["a"])(a);try{for(o.s();!(t=o.n()).done;){var 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desenho curvo da edificação. Janelas zenitais iluminam o espaço, a iluminação artificial é distribuída entre as vigas de madeira laminada colada.\r\n\r\n_VRDGNT-PRUMA_TERMASGRAMADO_AREA1-PISCINAS-B_R00\r\n\r\nA fachada da área de piscinas é voltada para o interior do complexo. As piscinas são executadas em basalto local, a estrutura regular de madeira laminada colada é sustentada por distribuição de colunas de aço.\r\n\r\n_VRDGNT-PRUMA_TERMASGRAMADO_AREA1-SPA__R00\r\n\r\nO SPA do complexo é acomodado entre as araucárias nativas do local de implantação.\r\n\r\n_VRDGNT-PRUMA_TERMASGRAMADO_AREA2-APTO-AEREAS_R00\r\n\r\n384 unidades de apartamentos do hotel são distribuídas em 15 edificações. As edificações pousam no relevo do terreno e preservam a flora existente.\r\n\r\n_VRDGNT-PRUMA_TERMASGRAMADO_AREA2-APTO-ESTAR_R00\r\n\r\nOs apartamentos são orientados para o Norte, sendo iluminados naturalmente na maior parte do dia, reduzindo a utilização de iluminação artificial.\r\n\r\n_VRDGNT-PRUMA_TERMASGRAMADO_AREA2-APTO-SACADA_R00\r\n\r\nO projeto dos apartamentos garante a privacidade necessária aos usuários do hotel.\r\n\r\nVRDGNT-PRUMA_TERMASGRAMADO_AREA1-ESPRIGUICADEIRA_R01\r\n\r\nÁrea externa do SPA, próximo às árvores nativas e orientada para aproveitar a incidência solar.\r\n\r\nVRDGNT-PRUMA_TERMASGRAMADO_AREA1-PATIO_R00\r\n\r\nÀ esquerda, o restaurante. À direita, o SPA.\r\n\r\nVRDGNT-PRUMA_TERMASGRAMADO_AREA2_CAMACESSO_R00\r\n\r\nO acesso do complexo tem dois níveis é protegido por espessa e sinuosa laje de concreto.\r\n\r\nVRDGNT-PRUMA_TERMASGRAMADO_AREA2_CAMLATERALDIREITA_R00\r\n\r\nA construção se funde com a natureza nativa.\r\n\r\nVRDGNT-PRUMA_TERMASGRAMADO_AREA2_CAMLATERALESQUERDA_R00_\r\n\r\nA inserção das edificações no relevo priorizou reduzir as movimentações de terra.\r\n\r\nVRDGNT-PRUMA_TERMASGRAMADO_AREA2-APTO-FACHADA-A_R00\r\n\r\nO hotel é dividido em construções lineares de três níveis escalonados.\r\n\r\nVRDGNT-PRUMA_TERMASGRAMADO_AREA2_CAMLATERALESQUERDA_R00_\r\n\r\nTodos apartamentos tem vista para a paisagem intocada.\r\n\r\nVRDGNT-PRUMA_TERMASGRAMADO_FACHADA-AEREA_R00\r\n\r\nO projeto das Termas preserva o patrimônio histórico e se relaciona sutilmente com as construções existentes.\r\n\r\n\r\n\r\n"},bde5:function(e,a,t){e.exports=t.p+"img/SACMPA_1st floor plan.2f1cafc0.jpg"},be10:function(e,a,t){e.exports=t.p+"img/SACMPA_4th floor plan.9fb03eae.jpg"},be52:function(e,a,t){e.exports=t.p+"img/KISSMEMORIAL_Stairs.57589ac4.jpg"},be62:function(e,a,t){e.exports=t.p+"img/EXPO2020_Stairs.7bac4824.jpg"},bf21:function(e,a,t){e.exports=t.p+"img/CLS_Overview.d8e9cb32.jpg"},c036:function(e,a,t){e.exports=t.p+"img/DNA_Plan 3.e6ea5824.jpg"},c1ad:function(e,a,t){e.exports=t.p+"img/MANTEIGA_Management building (1).5d0084b8.jpg"},c202:function(e,a,t){e.exports=t.p+"img/TERMAS_Pool (1).67eddfbe.jpg"},c29d:function(e,a,t){e.exports=t.p+"img/KISSMEMORIAL_1_First level plan.b867dc41.jpg"},c2d4:function(e,a,t){e.exports=t.p+"img/EA-CAURS_4_Hall - 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